![]() It is both eye-opening and compelling to see the challenge faced by Valdovinos and others like him who, through no fault of their own, find themselves stripped of a major component of their identities and trapped in a bureaucratic and political nightmare. The story chronicles his struggle to be recognized and legitimized and his journey to political activism to benefit the entire Latinx community.Īlthough the book by Michael Barnard, Jonathan Rosenberg, and Fernanda Santos is heavily expository, the show is nonetheless deeply personal and powerful. “¡Americano!” continues that tradition in a powerful way, dramatizing the story of Tony Valdovinos, a young man brought to the US by his parents at age two and who never knew he wasn’t a US citizen until he tried to join the Marines. They have tackled topics ranging from the greed of corporations to anti-war protest to the founding of our country. From the work of Bertolt Brecht and Kurt Weill to Marc Blitzstein’s “The Cradle Will Rock,” to “Hair” and “Hamilton,” these shows harness the power of music and story to move hearts and minds. The musical as a political statement is a theatrical tradition. From the work of Bertolt Brecht and Kurt Weill to Marc Blitzstein’s “The Cradle Will Rock,” to “Hair” and “Hamilton,” the. “¡Americano!” Demonstrates Impact of Immigration Policy
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